Strange Days & Modern Day Rogues
Producer duo Know V.A. team up with photographer and visual artist Boris Postma to explore the state of offline subcultures in the post-millennial world. Experience the visual and sonic outcome during the group exhibition Modern Day Rogues with fanzine/catalogue designed by Leeza Pritychenko and avant-garde club night Strange Days.
Exhibition at 031OT w/ Taran Allen, Alberto Guerrini, Daniel Cronin, Rebecca Lewis, Boris Postma and Leeza Prtychenko
Club Nite at 031OT w/ Anni Nöps, DJ DBA, Gabber Eleganza, Know V.A. and
ZOHAR |
Amsterdam Oct. 2018
Report event here by Dj Broadcast
Gabber Eleganza launches his Part Time Raver curative party series in London at the infamous Five Miles in Tottenham. Be sure to block out Oct 5th to see sonic landscapes past merge equilaterally with the future. Exclusive merch and music for the hardcore continuum
Line up:
Body Motion (NTS Radio)
Lizzitsky - live
Meuko Meuko - live
Gabber Eleganza.
Early bird tickets are now available on RA at this link
https://www.residentadvisor.net/events/1155301
Never Sleep summer 2018 merch is online - Link -
“ Capturing the brute, in-your-face sound of gabber as well as the current wave of underground club and electronic music drawing inspiration from hardcore sounds.”
Gabber Eleganza presents Part-Time Raver a new monthly residency at Rinse FM, London frequency 106.8 MHz.
Online the first three episodes (download available) - Link -
B-SIDE x PECKHAM DUBPLATE
A-SIDE x PECKHAM DUBPLATE
Interview and mixtape x Dazed & Confused magazine here.
In the 2001-2002, at the 16-17, i used go to the parties and raves with an homemade dutch flag made by my grandmother Palmina; a teenage heirloom full of dj’s and friends’ signatures. After 15 years locked in a closet next week (22th) will be hanging at the Mega Gallery in Milan in occasion of the launch event of the first ep. of the “Never Sleep” serie, out March 23th on Presto !? Records
NEVER SLEEP PREVIEW
Taken from ‘Never Sleep #1 ep.’
Three clean-cut anthems for the studio debut of Gabber Eleganza, an anticipated new form for the archival and performative project created by Alberto Guerrini in 2011. Now updating the contemporary folklore with his analog grit. Try not to get your attention diverted once again. And keep calm under pressure. First volume of the Never Sleep series. Limited edition vinyl. Includes DL card. A limited run of 50 copies will be decorated by a fantascope print on the b-side.
All tracks written & produced by Alberto Guerrini
Cat. No. P!?030 – All rights reserved
℗ & © Presto!? 2018
AN INTERVIEW WITH VICTOR FEENSTRA - THE ILLUSTRATOROF THE ICONIC THUNDERDOME FLYERS.
Text and pics by Boris Postma
Halfway through the nineties, I started collecting gabber-flyers. I had to do it in secret because my parents didn’t allow me to. Baldheads, shiny fluorescent tracksuits, flags on the sleeves of bomber jackets and militarized rhythms in laser-lit sports halls. According to my parents this wasn’t a good environment for a ten-year-old from Bloemendaal, the Netherlands. The flyers for these events -with images of devils and naked devil women shrouded in skulls- didn’t really contribute to the thoughts we had about the scene. And so I hid my precious flyer collection in a big bag in a bush in the garden, to try to copy and admire them for hours when I found myself at home alone.
What fascinated me most about the flyers were the saturated colours and distinct illustrations. Looking back, these were the consequences of growing up with eighties cartoons and horror, fantasy and science fiction films like Ghostbuster, Indiana Jones, Robocop and G.I. Joe. Those were the genres that by that time I already felt a deep and profound love for. There could also be found some overlap with the imagery of the comic books I collected. In short, my ten-year-old mind was being tickled. It was a love that would never fade away.
One particular flyer was special to me. This was the flyer of the Earthquake-Edition event at the Hemkade in Zaandam, from 1996. I bought it from a classmate for five guilders. The flyer portrayed a robot surrounded by mechanical parts of his mask floating around in a cloud of electricity. Piercing orange eyes contrast with the strong turquoise and blue that dominated the flyer. The robot is framed by something that reminds me of an electronic interface. The information about the event is written in strong typography, the timetable written in the font of a digital alarm clock.
Read more here
MY LAST DAY AT SEVENTEEN by Doug Dubois
Rich portraits of teenagers in Ireland coming of age — as individuals, as groups, as part of a community and as the new generation of Irish. These photos capture intimate, compassionate, honest and confused moments — raw truth that is electrifying and inspiring.
THUNDERDOME IN ITALY AT NUMBER ONE DISCO, 1997
HARDCORE, RAVE & GABBER ADVERTISING BETWEEN 1996 AND 1998
JOYRIDE
To joyride is to drive around in a stolen car with no particular goal other than the pleasure or thrill of doing so.
Joyriding was a major problem in the United Kingdom during the 1980s and accelerated in the 1990s, but has eased off since the year 2000 largely due to improved security standards on newer cars and the number of old cars with more basic security diminishing. Many surviving older cars have had modern security features fitted in order to reduce the risk of theft
In Northern Ireland, joyriding is a common crime and many people have campaigned against it. Since the 1980s a number of youth gangs have been in existence, particularly in nationalist areas of Belfast, dedicated to joyriding and other criminal activities. During The Troubles, paramilitaries such as the IRA administered to suspected joyriders extralegal punishment usually consisting of breaking their fingers or kneecaps in order to temporarily or permanently incapacitate them from operating most motor vehicles.
Collage references:
Turbo Vanish by NastyNasty
Mopped Guys by Phil Knott
Folk Archive by Jeremy Deller
Gradient Scooter by Patrick Tuttofuoco
Money on my Oyster by Nina Manandhar
Kent by Frayser V.BLOCC
Extras:
You, Me and Marley by Richard Spence
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